You never knew you loved... Grooving to cantopop
China has an equivalent genre in the aptly named C-Pop, a subgenre of which is HK-Pop (short for Hong Kong Pop), otherwise called cantopop. It amalgamates traditional Chinese music with the Western styles of jazz, blues, rock, and pop and performs the results almost exclusively in Cantonese.
One of the unique challenges
faced by cantopop songwriters is
lyrics. Cantonese is a very tonally
sensitive language, and the meaning
of the lyrics can be affected by
the relative pitch of the notes,
which is especially problematic
when using the Western scale,
which doesn't allow some of the
tonal fluctuations Cantonese relies
upon.
While cantopop's true roots lay
in the 1920s, the advent of communism
saw it migrate underground
or disappear completely
after being labeled pornographic.
It wasn't until the 1960s, when
knowledge of Western culture
became a marker of education and
sophistication, and a preference
for traditional Cantonese music
became “old fashioned” that the
genre truly began to grow.
While its popularity was shaken
during the 1997 sovereignty handover
when Mandarin was made
official by language ordinances, it
has recovered and actually started
to spread beyond Hong Kong. It
has become part of pan-Chinese
culture and recently has gained
ground internationally.
Twins: comprised of two young
women who aren't actually related,
Twins got together in 2001 and
enjoyed near immediate success
with the hit Girls' School, Boy
Student off their self-titled 2001
EP. In 2005, rumours that the
group was going to split began to
circulate, and eventually proved
true when Gillian Chung left the
group under pressure following a
sex scandal.
Stephy Tang: formerly the lead
singer of cantopop group Cookies,
Stephy Tang splits her time
between her career as a solo singer
and her acting career. One of her
biggest hits, Let it Flow, featured
on the compilation album All
About Women that includes tracks
by a half dozen female cantopop
artists.